James

 

Back in 1995, I was living in Tucson, AZ and working in a record store. The “senior” staff there had control of what music was played over the sound system and, aside from a number of industrial dance beat shifts a week, it was a great place to be forcibly introduced to new music. One of the things I picked up while working there was Guided By Voices – Bee Thousand.

I loved it instantly. I’m not sure what spoke to me about it. There are a few things in my music collection that stand [FAR] out; beginning to end masterpieces. This is definitely on the short list. Unfortunately (I guess that is relative), the recording quality of this album is not great. I never really processed how bad the quality was until years later, after repeatedly trying to play it for new friends. No one would ever give it a chance. That, and I, too, had been making recordings that sounded similar to those for several years. Sure, it’s hard to listen to if it doesn’t catch you immediately. There’s definitely some magic there, though, and lots of those in the know continue to give it accolades, putting it in all sorts of top 100 lists:

http://en.wikipedia.org/wiki/Bee_Thousand#Accolades

Anyway, a few years ago, I started talking about recording my interpretation of the whole album, as a salute, or a tribute, I guess, to the handful of people responsible for making it in the first place. Maybe my old friends would hear what I was on about all those years if the songs were a little more produced. I have talked about things like that before and talk is cheap. Usually, I just record one or two covers of songs that stand out to me (plug) and leave it at that.

This time, though, I meant it, and now, six or seven years later, I’ve actually done it. Of course, I did have a little help from my friends. I started working on these tracks nearly a year ago with my old drumming buddy and a fantastic grower of beards, Chad Hildebran (website || facebook). We knocked out a bunch of them fairly quickly, then a few months went by, we recorded a couple more, then a few months went by… You get the pattern.

Around the same time, I handed off lyrics sheets and chord charts to my longest running collaborator and partner in crime, Dan Taylor (website, website || facebook), who had agreed to play bass on it if we could ever actually get it together. Almost a year went by with no news. Granted, we hadn’t actually gotten it together, and granted, he’s a busy guy, being a total rock star (Metroid Metal, Yes Mayhem), as well as a great dad and coincidentally, also a fantastic grower of beards… Now that I have gotten it together and knocked the rest of the recordings out, Dan came through in smashing fashion, recording all his tracks over the course of three or four days. They’re ridiculous AND came out better and more on point than I ever imagined.

So, here we are and now it’s done and I love it. Hopefully, you will love it, too. If you do, go buy the original in a record store or online somewhere. This is still pure indie rock; everything here is free to all and was recorded in one bedroom or another by one person or another.

We’ve decided to call this project Guided By Guided By Voices – Bee Two Thousand Eleven.

Enjoy!

James

 

Here’s the full album download (ZIP, ~85MB) or stream/download individual tracks below.

01. Hardcore UFOs

02. Buzzards and Dreadful Crows

03. Tractor Rape Chain

04. The Goldheart Mountaintop Queen Directory

05. Hot Freaks

06. Smothered in Hugs

07. Yours To Keep

08. Echos Myron

09. Gold Star For Robot Boy

10. Awful Bliss

11. Mincer Ray

12. Big Fan of the Pigpen

13. Queen of Cans and Jars

14. Her Psychology Today

15. Kicker of Elves

16. Esther’s Day

17. Demons are Real

18. I am a Scientist

19. Peep Hole

20. You’re Not an Airplane

 

So, it has been a while since I posted Part 1 and Part 2 of the coffee can lantern project, but I have worked on it several times since last posting.

I bought three ceramic light fixtures from Home Depot and also a swag lamp kit at that time, which came with the chain, wire, and a rolling on/off switch down by the plug end.

First, I needed to be able to mount the light fixtures on the cans.

The same process as punching the design into the can, here. Mark it off with Scotch tape, punch it with a nail, then a screwdriver to open the holes up larger.

Now that they are able to mount up properly to the cans, it’s time to wire them up. I wired each of the lanterns separately, leaving the right amount of wire hanging out the top, for how I wanted them to hang in relation to each other. I knotted the wire around the hanging ring on each, so that the weight of the can, fixture, and bulb would not be hanging by the electrical connectors only.

I looked at an existing three lamp light fixture to see how it was wired. The positive and negative wires from each lamp daisy chain to the next. So, from the wall plug, it goes:

Black > Lamp > Black > Lamp > Black > Lamp
White > Lamp > White > Lamp > White > Lamp

I needed something to hang them from. I had been puzzling over this in the back of my mind for a while and finally gave in to a temporary solution, so I could move on with the wiring and chain assembly. I took some scrap wood and assembled this ugly triangle. In the picture, you can see eye hooks screwed into each corner. I had to move those to the middle of each of the arms (you can see the pencil marks in the picture) because the cans weren’t hanging properly.

I wired the whole thing up with screw-on wire nuts, with lots of little pieces of wires, plugged it in and turned it on, and it worked just fine. No heat from any of the connections. No fluctuation or sparks or smoke when handling the connections and moving them around. On the bathroom floor with too high a wattage bulbs (75W CFL equivalent):

Before calling it done, I need to figure out a better way to hang them, and clear up those wiring connections. I will probably use shrink tubing rather than the wire nuts, so they will look better and the wiring will be a little more protected from dust and humidity. There will probably be one more post in the series once it’s all said and done.

 

So, I have lots of other “projects” in process, but this is one that has been nagging at me to get it started.

I picked up this old Craftsman hip-roof toolbox in a junk pile a few weeks ago for about a buck. As the pictures show, it is rusted and filthy as all get out. I have been looking for a smaller toolbox and this one looked old school and super cool, with a gray metallic hammered enamel finish.

I figured if it has any value, fix it up and sell it. If it doesn’t have any value, fix it up and use it! So, I did some research and found that the “crown” logo was introduced in 1960 and was used on into the 70′s.

The finish was advertised in the Craftsman Hand Tools catalogs of the 50′s as “gray Hammerloid”. They originally came with an aluminum handle. In the 60′s, they switched to a “Plastisol coated” steel handle. This model, apparently from the early 70′s, came with a “heavy duty” (i.e. plastic) handle.

They retailed originally for $5.99 in the 50′s and this model was $8.99. They are selling on eBay currently between $15 and $50 in varying conditions. With the amount of time and effort that will go into restoring this, I can’t say if that means it “has value” or not. We shall see.

So, anyway, I started off by drilling out the rivets and removing as many parts as I could. The big, heavy duty piano hinge on the back is tacked in place and can not be easily removed, so I will have to work around (and through) that.

I then went after every inch of the inside and outside with a steel wire brush. An hour or so of scrubbing reaped the following rewards:

Lots of weight reduction there! Not actually as much as I was expecting, but still a big accomplishment, one little flake at a time.

In the next part I will be sanding it down to bare metal and hopefully even getting some primer on it.

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