Back in 1995, I was living in Tucson, AZ and working in a record store. The “senior” staff there had control of what music was played over the sound system and, aside from a number of industrial dance beat shifts a week, it was a great place to be forcibly introduced to new music. One of the things I picked up while working there was Guided By Voices – Bee Thousand.

I loved it instantly. I’m not sure what spoke to me about it. There are a few things in my music collection that stand [FAR] out; beginning to end masterpieces. This is definitely on the short list. Unfortunately (I guess that is relative), the recording quality of this album is not great. I never really processed how bad the quality was until years later, after repeatedly trying to play it for new friends. No one would ever give it a chance. That, and I, too, had been making recordings that sounded similar to those for several years. Sure, it’s hard to listen to if it doesn’t catch you immediately. There’s definitely some magic there, though, and lots of those in the know continue to give it accolades, putting it in all sorts of top 100 lists:

http://en.wikipedia.org/wiki/Bee_Thousand#Accolades

Anyway, a few years ago, I started talking about recording my interpretation of the whole album, as a salute, or a tribute, I guess, to the handful of people responsible for making it in the first place. Maybe my old friends would hear what I was on about all those years if the songs were a little more produced. I have talked about things like that before and talk is cheap. Usually, I just record one or two covers of songs that stand out to me (plug) and leave it at that.

This time, though, I meant it, and now, six or seven years later, I’ve actually done it. Of course, I did have a little help from my friends. I started working on these tracks nearly a year ago with my old drumming buddy and a fantastic grower of beards, Chad Hildebran (website || facebook). We knocked out a bunch of them fairly quickly, then a few months went by, we recorded a couple more, then a few months went by… You get the pattern.

Around the same time, I handed off lyrics sheets and chord charts to my longest running collaborator and partner in crime, Dan Taylor (website, website || facebook), who had agreed to play bass on it if we could ever actually get it together. Almost a year went by with no news. Granted, we hadn’t actually gotten it together, and granted, he’s a busy guy, being a total rock star (Metroid Metal, Yes Mayhem), as well as a great dad and coincidentally, also a fantastic grower of beards… Now that I have gotten it together and knocked the rest of the recordings out, Dan came through in smashing fashion, recording all his tracks over the course of three or four days. They’re ridiculous AND came out better and more on point than I ever imagined.

So, here we are and now it’s done and I love it. Hopefully, you will love it, too. If you do, go buy the original in a record store or online somewhere. This is still pure indie rock; everything here is free to all and was recorded in one bedroom or another by one person or another.

We’ve decided to call this project Guided By Guided By Voices – Bee Two Thousand Eleven.

Enjoy!

James

 

Here’s the full album download (ZIP, ~85MB) or stream/download individual tracks below.

01. Hardcore UFOs

02. Buzzards and Dreadful Crows

03. Tractor Rape Chain

04. The Goldheart Mountaintop Queen Directory

05. Hot Freaks

06. Smothered in Hugs

07. Yours To Keep

08. Echos Myron

09. Gold Star For Robot Boy

10. Awful Bliss

11. Mincer Ray

12. Big Fan of the Pigpen

13. Queen of Cans and Jars

14. Her Psychology Today

15. Kicker of Elves

16. Esther’s Day

17. Demons are Real

18. I am a Scientist

19. Peep Hole

20. You’re Not an Airplane

 

It feels like it’s been a year in mixing, but finally it’s done. Or I have given up. Or whatever.

I’m pretty sure it sounds great. I’ve been enjoying listening to it while updating all the web sites and what not.

The album art is, as promised, Night Of The Living Dead “themed”… Which means screenshots from the movie with my words on them. Have a look for yourself:

It’s already up on The James Machine’s bandcamp page and is available for free or whatever you feel like giving me for it.

It’s also in the review stage on Amazon, so sometime in the next four years it will be available for download and as a physical CD. Sour Grapes is available over there as well.

Now that that’s out of the way, I can devote some serious time to Call of Duty: Black Ops.

 

As you may have heard from Facebook updates, a couple of weeks ago, I took a week off from work to write and record a new album. I did the same thing with Sour Grapes two years ago (almost to the day) and was very pleased with the outcome.

“Get to some place locked away and live to fight another day”

Normally, I would have updated here more often with progress and teasers, but it’s still a little too fresh for me at this point. For example, I just changed the name of one of the songs yesterday and came up with the album title and concept a few days ago.

“Barricade windows and doors and pray”

The new album is called Feel No Pain. It’s 11 tracks and around 38 minutes long. I have been mixing and cleaning up every day since principle tracking was completed on Sunday, November 7. Once I finished recording, I took a couple of hours off, then started mixing. The first round of mixes was completed at 11:59 Sunday night. I am now on the 13th round of mixes.

“They just won’t stay down and feel no pain, no”

Anyway, Feel No Pain is a zombie reference and the album art will be Night of the Living Dead (1968) themed. Apparently, it’s in the Public Domain now. Good news for me! The title track, Feel No Pain, is a zombie apocalypse story, and an example of why you wouldn’t want to be stuck in that situation with me.

“I left them by the road. There are hundreds by the road.”

I’m very excited to get these tracks and the album released. The album is much darker and heavier than the music I normally make, though not as dark and heavy as I was originally hoping for. The working title throughout the writing and recording process was “Melvin’s Helmet”, because the songs on the album are a mix of slow, low, droning Melvins heaviness and more up-tempo, driving Helmet heaviness with snappy drumming. In the end, with all the tracking done, the songs sound much more like Helmet than the Melvins (luckily, I guess, that means it’s easier to listen to).

“Forgive me, forgive me”

More news will be posted here as it comes available. I hope to release Feel No Pain in the next week or two on the site here and make it available on The James Machine’s BandCamp page as well.

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